The Seat of the Collective Voice memorials demonstrations in London. Looking at recent marches and demonstrations, the seat designers were drawn to long-view photography that captures the scale and layered presence of people paused together in the act of expressing their voice.
Alongside this, researching Fitzrovia led them to consider the cornice, an often overlooked, or rather underlooked, architectural element. Used by classicists throughout the area, the motif has also been an object of fascination for modernists who subverted it, and artists like Lichtenstein who highlighted its contribution to public space.
Despite this, cornices are often missed, visually lost amid the signage, shopfronts, and activity at street level, despite their consistency as a feature on buildings in Fitzrovia.
The designers wanted to use this architectural element to capture the story of the collective voice. They took inspiration from narrative figures like the caryatids, such as those at the New Church just around the corner in St Pancras.
To do this, they created a simple silhouette, a voice in the crowd. Then they gave it company by repeating it, and added depth and perspective to form a march.
The bench is clad in Jesmonite AC730 Glass Reinforced Concrete (GRC), fabricated by Simplicity Finishes, expert façade specialists who worked on the Bloomberg building and others in the City. The mould masters were 3D-printed by, Mr Campbell Prints.
The GRC units are fixed to a steel frame and topped with VM Zinc Quartz coping fabricated by Eco Roofing Surrey. The result is a bench built like a piece of architecture, part façade, part street furniture. A fragment of building brought to pavement level.